phanaerozoic

Musings about life on Earth in all its aspects…

Category: Book Review

A Stack of Books – Part 1

Here’s a stack of books – one small stack amidst bookcase after bookcase, stack after stack of books. These are in this stack because I have been into them, reading or rereading, browsing or devouring. Some are old friends, others unopened until now. I thought I would take this picture, then take up each book in hand and excerpt some snippets that I particularly like to share with you. Who knows, perhaps you will get interested, search for the book in your local library or online or in your favorite bookstore, pick up a copy, get infatuated with the author’s style or substance, maybe even go on a treasure hunt for more of their work. Stranger things have undoubtedly happened.

So here goes. Let’s begin with the top of the stack. Waiting on the Sky: More Flyover People Essays (Quincy Press, 2014), by Cheryl Unruh of Emporia, Kansas, is a book I bought from Cheryl herself at the 2015 Kansas Book Festival. It had won a 2015 Notable Book Award, as had my first book of poetry. I was familiar with Cheryl’s writing as I had read her first book, Flyover People: Life on the Ground ina Rectangular State (Quincy Press, 2011), which had also been a Kansas Notable Book awardee. Both books were based on weekly columns, titled (you might have guessed) “Flyover People,” that had appeared in The Emporia Gazette (yes, that famed newspaper).

Both of these books celebrate Kansas and the prairie and their denizens in fine style. I’ll let her speak for herself. If you’ve never experienced life on the prairie, she’ll give you a feel for why you would be hard pressed to find a way to wrench many of us from this big-sky country. But here, I’ll give Cheryl the floor:

From “Positives and Negatives” (January 2009):

“While other states are cluttered with forests or mountains or major metropolitan areas, we are blessed with a Zen-like landscape, the prairie.

…Yes less is more. We value our negative space.

In art, negative space is that part of a photograph or painting that is not the center of attention. Negative space is silence, background, an empty place where your eyes can rest. You may feel peaceful while gazing toward a grassy pasture, or you can rest your eyes upon the sky, that claming blue presence with its free-range clouds.

Here, we have the Flint Hills, a restful place for the soul, an open sanctuary in which the sky is our prayer book, the wind our hymnal.

After dark, we step into a cave of stars. In the big ol’ night sky, we draw our own constellations. We connect the dots, creating a Native American warrior or maybe a fearsome John Brown.

With our heads leaned back, we can count white lights till we’re dizzy. Out on the grassland we can almost hear the twinkling of those stars.”

From “At Home in the Flint Hills” (November, 2013):

“It’s quiet on the prairie, but not always silent. Insects and birds chatter. Some days there’s a growl of wind as gusts sweep the prairie without regard for man or beast. Wind can spin like a dervish, or it can ride low and slow and straight over the grasses, playing them like flutes.

A herd of bison lives on the preserve. Bulky and brown, they stand still like paperweights, holding down the prairie on those windy days.

The treeless landscape is one hill folding into another, bodies of hills lying together. We make our own shadows here, unless a cloud runs interference with the sun.

As a hawk glides overhead, we feel the rhythms of land and sky. Here, we step into that space between questions and answers, a place where we are satisfied with the unknown.

After dark the wind settles down, and the Milky Way flings itself across the sky. A rumor of coyotes hangs in the night air.”

From “Sunset Alert” (November, 2010):

“My friend Janet Fish, of Madison, paid close attention to sunsets when she and her husband, Larry, lived in Emporia. She said, ‘There were late afternoons when Larry would zip in and holler sunset alert and we’d stand in the yard and watch with our arms around each other.’

Janet said that from their location the color in the sky would glow behind the steeple of Sacred Heart Church. ‘Some nights it was so stunning that it would bring tears to our eyes.’

Janet has suggested a neighborhood notification system, church bells perhaps, something that would get our attention and send us all out into our yards to take in the show.

Our lives would be richer, wouldn’t they, if we each spent one minute a day watching the sky fill with flaming color. I can picture it now in every Kansas town: yards, sidewalks and driveways filling with neighbors, heads raised, eyes to the western sky, absorbing that moment of splendor. Let’s do it. I’ll meet you outside tonight.”

______________________

Okay, there you have an appetizer of Cheryl’s way with words. No full meal for you today. Rather, look for a copy of your own, and then you can nibble or pig out to your heart’s delight.

And watch for the next entry in this sampling of writing from my stack of books.

______________________

~Roy Beckemeyer, September 22, 2023.

Blue-winged Angel

“Blue-winged Angel” An ekphratic poem inspired by artist Carl Dahl’s porcelain “Blue-winged Angel, Female.”

You open your wing

explosively, as if cyclonic

winds had whisked your smalt-blue,

your Delft blue, your ultramarine blue,

your essential-essence-of-blue cloak,

had thrown it out as if it were

the only sky in all the world,

your un-pigmented body suddenly,

blindingly, lightning-white, and

cracked as if by thunderclap.

The vacuum left by that whip-

snapped mantle exposing breasts,

ribs, navel, thighs, letting us know,

oh, God, letting us truly know, that angels

are only all too human.

 

 

~Roy Beckemeyer

_______________

Artist Carl Dahl’s work may be found on his Website.

“Renaissance” – Collaborative Poetry/Art Broadside – Malissa Long Wilson, Artist, and Roy Beckemeyer, Poet

Here’s another of my collaborations with Malissa Long Wilson. Malissa did this textile piece in response to my poem, so it is an ekphrastic work in reverse. I think she captured the soul of the poem here.

[Note: for a larger view of the broadside, click on the image.]

~Roy Beckemeyer

Broadside art and text copyright by Malissa Long Wilson and Roy J. Beckemeyer. Original 18 by 12 inches with 17 by 11-inch crop lines.

“Solar Flair” – Collaborative Poetry/Art Broadside – Malissa Long Wilson, Artist, and Roy Beckemeyer, Poet

The Wichita Broadside Project sponsored by HarvesterArts, River City Poetry, and the Wichita Arts Council, was the brainchild of April Pameticky. Final results were held as the opening event of Poetry Rendezvoux 2017.  This collaborative effort, in which I wrote a poem inspired by Malissa Long Wilson’s great piece of art, is titled “Solar Flair,” and it was one of the broadsides chosen for distribution.  We hope you enjoy this.

[If you google “squaring the circle,” you will find it is an ancient geometry problem – constructing a square with the same area as a circle using nothing but a geometer’s compass and a straightedge.]

~Roy Beckemeyer

Broadside art and text copyright by Malissa Long Wilson and Roy J. Beckemeyer. Original 12 by 18 inches with 11 by 17-inch crop lines.

Konza Journal 2017 Issue Now Online

The 2017 issue of the Kansas Area Watershed (KAW) Council annual publication, Konza Journal, is now online. I was fortunate to be asked by editors Caryn Mirriam-Goldberg and Ken Lassman to participate as a contributing editor and also as a featured photographer (photo essays on Birds, Insects, South Africa, the Changing Faces of Water, and Landscapes). Please check it out. Essays on Climate Change by Ken Lassman, the Cretaceous oceans of Kansas by Mike Everhart, poems by Annette Hope Billings, April Pameticky, Dennis Etzel, Jr.Victoria Sherry, and Janet Jenkins-Stotts, Olive Sullivan, and Kansas Poets Laureate Kevin Rabas, Denise Low, Caryn Mirriam-Goldberg, Eric McHenry, and Wyatt Townley.  Videos by Stephen Locke, and a marvelous essay on language and sense of place as it relates to the prairie by Cindy Crosby.

There is so much more I can’t fit all the links here, so just go to the Konza Journal page, browse, and enjoy.

-Roy Beckemeyer, September 28, 2017

My Interview by Miranda Erickson Kendall of the Topeka Shawnee County Public Library

Thanks to Miranda for her interviewing skills.

Here is a link to the interview:

https://tscpl.org/books-movies-music/roy-beckemeyer

Please join me and Leah Sewell on April 26, 2017 at the Topeka Shawnee County Public Library’s Poetry Month event.

 

Roy Beckemeyer, April, 2017

Notes from the past – posts moved from my “Music I Once Could Dance To” WordPress site – from July 24, 2015

I was thrilled to be notified by Lindsey Martin-Bowen that she had reviewed my first poetry book, “Music I Once Could Dance To,” in goodreads.  I am including here a link to the original review, and I have also, with her permission, pasted the review here.Thanks, Lindsey. I feel humbled and honored to have had these words penned about my book. Bless you.

ORIGINAL REVIEW On goodreads LINK HERE.

Lindsey’s review Jul 23, 2015
5 of 5 stars
Read in July, 2015

Review: Beckemeyer, Roy J. Music I Once Could Dance To.
Lawrence: Coal City Review Press, 2014, paper. ISBN 978-0-9795844-8-0. $10.

Even if Roy J. Beckemeyer spent most of his life as an aeronautical engineer, he has maintained a poet’s soul and uses poet’s tools—a descriptive, honest voice, vivid imagery, and rhythmic sounds—to generate a sense of characters and of place, some of which no longer exist. Nevertheless, his lyrical poems transport the reader not only to areas in the Midwestern landscape but to a less harried time.

For example, in the poem “Owl,” the reader can sense the elegiac longing for an earlier era in the Midwest landscape (and perhaps in our society nationwide). The bird becomes an emblem of a dying way of life:

. . . the universal truth of a broken owl
suddenly shattered by a strand of barbed wire,
gone from magnificent pursuer to wheeling
wreck of hollow bones, his wing flailing, cloud
of down and feathers floating like incense . . . (l. 1-5 ).

Beckemeyer presents the poem containing the book’s title first, in the section he named “invocation,” a request to God (and/or the muses) to lure the reader into a dance of words to ensure that it be guided by the Divine—or at least, supernatural forces beyond our material world. And his poetry creates music with its alliteration and rhythms. Although he continues the music metaphor in the titles of the book’s five sections (invocation, exposition, theme, variations, recapitulation), his engineering background appears when he weaves in scientific terms without destroying the poem’s rhythm. For instance, in the final poem, “We Discuss the Geomorphology of Life,” he notes “It’s called saltation, I said,/when grains of sand are picked up by the wind/and blown along, dislodging other grains. . . .” (l. 1-3).

Beckemeyer has lived in Kansas most of his life but isn’t a native. He spent his early years in Illinois. Those years etched intriguing imagery into his memories, which unfold often in his poetry. In “A Year in Small-Town Illinois: 1953 in Tanka,” his imagery leads the reader through the calendar via tankas (five-line poems in syllabic counts of 5/7/5/7/7 with the last two lines showing a “turn” from the beginning three). He wrote a tanka for each month. Some of them illustrate life in Illinois, such as the February tanka:

skating on Shoal Creek
ice cracks like a rifle shot
and transforms us both
from skaters into swimmers
huddled steaming by the fire (l. 1-5).

Others, such as the March tanka about the 1950s television show, “Sky King,” could occur anywhere in the nation during that era:

Sky King’s niece Penny
in that twin-engine Cessna
Saturday mornings
twelve year old boys dream about
pony-tailed girls and flying (l. 1-5)

Beckemeyer brings small surprises with the imagery, too. He illustrates the dance theme in unexpected ways, such as when he describes his wife, Pat, in “At Watermark Books Before the Reading.” He studies her as if she were dancing, “. . .your hands held out before you/as if they are dowsing sticks” (l. 4-5). And he notes “You always do that,/your hands dipping and bobbing/to the hidden rush of words” (l. 6-9).

In a similar vein, “Picking-at-Scabs Blues” in the same section not only picks up on bluesy rhythms, it, too, contains a dance description of the blues performer:

his hands would flutter,
open and closed,
open and closed,
catching at air coming
through the harp
and thrumming it there, (l. 26-31).

Indeed, this collection of poems not only shares the landscape with other descriptions in “Tornado Warnings” and “Nebraska Morning,” its dance-themed poems, such as “Initiation Song from the Prairie,” “Centering” and “Falling,” along with those previously mentioned, lead the reader through dancing lessons and create a music that many of us can still dance to today.

– Lindsey Martin-Bowen

Notes from the past – posts moved from my “Music I Once Could Dance To” WordPress site – from July 10, 2015

Thanks to Emma Lee for reviewing my book and to Sam Smith, Editor/Publisher of “The Journal”, for publishing same and for sending me a pdf file of the issue.

Here is Emma’s review, which appears on pp. 24-25 of the issue:

 

Notes from the past – posts moved from my “Music I Once Could Dance To” WordPress site – from June 17, 2015

 

Poet Al Ortolani reviewed “Music I Once Could Dance To” in the June 16, 2015 issue of the On-line Lit Journal WORD RIOT.

I was very pleased to see Al’s review, as I have long admired his work. Thanks, Al.

Click HERE Music I Once Could Dance To reviewed by Al Ortolani in Word Riot June 16 2015 to link to a pdf copy of the review.

– Roy Beckemeyer

Notes from the past – posts moved from my “Music I Once Could Dance To” WordPress site – from July 9, 2014

Great fun at the Lit Crawl in Independence, Kansas on July 7th, 2014. Got to read at the Independence Pharmacy, and listeners received free soda fountain drinks while the reading went on. Even sold some books. Thanks to Lori Baker Martin for inviting me to take place in this event and for spearheading the whole festival. Don’t know how she finds the time, but so glad she does.